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Ashley Norwood Cooper: Domicile

Past viewing_room
May 19 - June 9 2020
  • Ashley Norwood Cooper: Domicile

    May 19 - June 9
  • Taymour Grahne is pleased to present Domicile, an online solo exhibition by New York-based artist Ashley Norwood Cooper.

    Taymour Grahne is pleased to present Domicile, an online solo exhibition by New York-based artist Ashley Norwood Cooper.

  • Ashley Norwood Cooper b. 1970 Atlanta, GA Lives and works in Cooperstown, NY Ashley Norwood Cooper holds an MFA in...
    Ashley Norwood Cooper by Grace Roselli, Pandora's BoxX Project

    Ashley Norwood Cooper

    b. 1970 Atlanta, GA

    Lives and works in Cooperstown, NY

     

    Ashley Norwood Cooper holds an MFA in painting from Indiana University and teaches art at SUNY Oneonta

     

    Cooper has been the recipient of the Riva Shiner Award in Painting, NYFA Mark Program Fellowship & the Kalos Prize among others.  Cooper has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). 

     

    Most recently, in Jillian Steinhauer's The New York Times recap of art fair week in New York City this past March, Ashley’s work was mentioned as one of the highlights from that week:

     

    "I would be remiss if I didn’t mention one figurative painter here: Ashley Norwood Cooper, with Zinc Contemporary. In high-key color, Ms. Cooper renders intimate scenes of women who seem immersed in their interior lives and creativity (always with cats at hand). Tender and funny, the works stopped me in my tracks.” [1]

     

    1. Steinhauer, Jill, "The Thrill of Unpredictability at Two Art Fairs", New York Times, March 5, 2020. Link here

     

     

     

     

     

     

     

    • Title, 2020, (detail)

      Title, 2020, (detail)

    • Title, 2020, (detail)

      Title, 2020, (detail)

    • Title, 2020, (detail)

      Title, 2020, (detail)

    • Ashley Norwood Cooper finds inspiration for her anecdotal canvases through her daily experiences of living in rural New York - as both a matriarch and as a painter. Drawing on an array of references, from contemporary culture to Dutch vanitas, American motifs and domestic rituals, the paintings presented in Domicile revel in personal reminiscences, and how they become reflective of overarching, existential concerns. Cooper's affectionate creations start with a loose sketch which is followed by negotiating a collection of shapes that fit into a bigger composition. Time becomes a prerequisite, allowing memories to be revisited and formal investigations as an artist to be explored. Painterly abstract qualities - work in tandem with narrative tableaux’s, informing how Cooper’s scenes (often so relatable), are charmingly created and then realised in front of one’s eyes

    • Here, abstraction is favoured, the approach of dealing with ideas rather than definitive events. Photographic enquiries are side-lined for unique details that have the ability to talk about palpable stories instead. The picnic, a meal taken alfresco, is a reoccurring endeavour for the characters within these paintings. A universal symbol which also relates to traditional American imagery and foremost the celebration of Independence Day on the 4th of July. These instances hark back to raising a young household, when Cooper would often compose imagery in her head.

    • Sometimes attracted to rays of lights, she would try to memorise them for future translation on to canvas. These picnics, gloriously fictitious and now in hindsight, indulgently delve into moments, whether it be the texture of curled yellow mustard macaroni, or a face that has animatedly taken on the tinted hue of a glass bowl in close proximity. Each painted figure is transformed by how Cooper feels about them. One finds a spectrum of emotions, from enamouring and troublesome, to awkward and whimsical. Furthermore, these scenarios take on a new dimension in 2020, where the meaning of a shared experience is morphing. Infused with wit, Cooper's paintings are bombastic yet intimate, and provide subtle contemplations on the many junctures throughout a day.

  • These picnics indulgently delve into moments, whether it be the texture of curled yellow mustard macaroni, or a face that...

    These picnics indulgently delve into moments, whether it be the texture of curled yellow mustard macaroni, or a face that has animatedly taken on the tinted hue of a glass bowl in close proximity

  • Each painted figure is transformed by how Cooper feels about them. One finds a spectrum of emotions, from enamouring and...

    Each painted figure is transformed by how Cooper feels about them. One finds a spectrum of emotions, from enamouring and troublesome, to awkward and whimsical.

  • Paintings

    • Ashley Norwood Cooper, Vigil, 2019
      Ashley Norwood Cooper, Vigil, 2019
    • Ashley Norwood Cooper, Blue Sofa, 2018
      Ashley Norwood Cooper, Blue Sofa, 2018
    • Ashley Norwood Cooper, Black Butterflies for John , 2018
      Ashley Norwood Cooper, Black Butterflies for John , 2018
    • Ashley Norwood Cooper, Black Squirrel, 2020
      Ashley Norwood Cooper, Black Squirrel, 2020
    • Ashley Norwood Cooper, Card Players, 2017
      Ashley Norwood Cooper, Card Players, 2017
    • Ashley Norwood Cooper, Make Up Mirror, 2018
      Ashley Norwood Cooper, Make Up Mirror, 2018
    • Ashley Norwood Cooper, Boy with a Black Eye and Barbary Dove, 2018
      Ashley Norwood Cooper, Boy with a Black Eye and Barbary Dove, 2018
    • Ashley Norwood Cooper, Deviled Eggs and Pink Cake, 2018
      Ashley Norwood Cooper, Deviled Eggs and Pink Cake, 2018
    • Ashley Norwood Cooper, Cake Batter, 2020
      Ashley Norwood Cooper, Cake Batter, 2020
    • Ashley Norwood Cooper, Sushi, 2020
      Ashley Norwood Cooper, Sushi, 2020
    • Ashley Norwood Cooper, Breakfast Table, 2018
      Ashley Norwood Cooper, Breakfast Table, 2018
    • Ashley Norwood Cooper, Tabby, 2019
      Ashley Norwood Cooper, Tabby, 2019
    • Ashley Norwood Cooper, Tabasco, 2020
      Ashley Norwood Cooper, Tabasco, 2020
    • Ashley Norwood Cooper, Summer of the Black Swallowtails , 2017
      Ashley Norwood Cooper, Summer of the Black Swallowtails , 2017
    • Ashley Norwood Cooper, Small Bathroom, 2017
      Ashley Norwood Cooper, Small Bathroom, 2017
    • Ashley Norwood Cooper, Nest Robber, 2018
      Ashley Norwood Cooper, Nest Robber, 2018
  • Click here for Ashley Norwood Cooper's CV
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